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GAMAL BOKONBAEV. ISSUE 4. SUYMENKUL CHOKMOROV. PART 4. OVERVIEW OF THE G. AITIEV KYRGYZSTAN STATE FINE ARTS MUSEUM COLLECTION

05.02.2022 | Gamal Bokonbaev 346 | No Comments

Art critic Gamal Bokonbaev CONTINUES to acquaint us with the collection of the Museum and the work of the artist and actor Suimenkul Chokmorov. The State Museum of Fine Arts owns a significant collection of works by Suimenkul Chokmorov, so our review focuses on him in several parts. Museum does not expose in its halls […]

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GAMAL BOKONBAEV. ISSUE 3. SUYMENKUL CHOKMOROV. PART 3. OVERVIEW OF THE G. AITIEV KYRGYZSTAN STATE FINE ARTS MUSEUM COLLECTION

16.01.2022 | Гамал Боконбаев 312 | No Comments

Gamal Bokonbaev,  an art critiс, CONTINUES TO REVIEW the collection of the State Museum of Fine Arts named after Gapar Aitiev and the work of the famous artist and cult Kyrgyz actor Suimenkul Chokmorov.  The author of the review is an architect, designer and artist by education. His bibliography includes 12 printed books, in addition, […]

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GAMAL BOKONBAEV. ISSUE 2 SUYMENKUL CHOKMOROV. PART 2. OVERVIEW OF THE G. AITIEV KYRGYZSTAN STATE FINE ARTS MUSEUM COLLECTION

18.12.2021 | Gamal Bokonbaev 341 | No Comments

Gamal Bokonbaev, an art critic, author of 12 books, including a large volume “Fine Arts in Kyrgyzstan” (2007, 410 p.), books: “Fine Arts of Kyrgyzstan: periods of development. 1927-2015, painting, graphics, sculpture, contemporary art “(2015, 160 p.)”, The Union of Artists of Kyrgyzstan: Activity and Creativity “(2016, 234 p.), as well as the organizer of […]

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GAMAL BOKONBAEV. ISSUE 1 SUYMENKUL CHOKMOROV. PART 1. REVIEW OF THE G. AITIEV KYRGYZSTAN STATE FINE ARTS MUSEUM COLLECTION

30.11.2021 | Gamal Bokonbaev 1,003 | No Comments

Gamal Bokonbaev, an art critic, author of 12 books, including a large volume “Fine Arts in Kyrgyzstan” (2007, 410 p.), books: “Fine Arts of Kyrgyzstan: periods of development. 1927-2015, painting, graphics, sculpture, contemporary art “(2015, 160 p.)”, The Union of Artists of Kyrgyzstan: Activity and Creativity “(2016, 234 p.), as well as the organizer of […]

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